WILD, HECTIC TIMES

THE LATE '40s were wild, hectic times for the Mitchum boys. In 1948 I worked at Columbia on "Knock on any Door" starring Humphrey Bogart and introducing John Derek. George Macready played a formidable prosecuting attorney, Derek a young man accused of killing a cop, and Bogart his--Qefense attorney. I was the jury foreman and spent much of my off-camera time playing chess with Bogey. He played one hell of a game.

Frank Wisbar used me several times in his television series, "The Fireside Theater," and I did a small role in John Ford's World War II comedy, "When Willie Comes Marching Home." On that film I made a mistake: I snapped back at the great Mr. Ford after he barked at me that I was being paid to be seen, not hidden by an actor in front of me. I told him that if the big bastard blocking me would decide where he wanted to be, I could adjust, but that if he kept gyrating, I'd have to slow him down. Ford stared at me for some beats, and started the camera rolling again. The moose in front of me simmered down.

Around that time I also attended the Herbert Wall School of Music under the G.!. Bill, finding it to be a well-staffed establishment. The owner was a big Texan, Major Herbert Wall, also the head voice coach of the school. He was a magnificent teacher and, to this day, is remembered by his students, many of whom are still in show business.

The school boasted an excellent all­male chorus that enabled me to put on a well-reviewed concert at the Wilshire­Ebell Theatre. My friend, Dick Hunton, was the main soloist. As a result of our success, we were hired to appear at the State Fair again in 1949. The emcee for the Fair's last week was Rudy Vallee, the "My Time Is Your Time" singer from Yale University. He was a belligerent rascal, albeit charming.

One night, after a long, tiring re­hearsal, Rudy invited a station-wagon load of us to a 2 a.m. breakfast in the old Lenhardt's Cafeteria in Sacramen­to. My friend AI Wadsworth, accom­panied by three young female dancers, rounded out the party. AI and the girls went immediately to the food line while I waited for Vallee. He was talking to the help so he waved me on.

When I had my food and went to our booth, three strange men were sitting with Wadsworth and the dancers. The girls looked very uncomfortable at their obvious passes. I heaved a sigh. I knew it was going to happen.

I addressed the three invaders: "Gentlemen, this is our booth. Since the girls seem upset that you're in it, I suggest you fmd another one." I delivered my little speech matter-of-factly and wasn't a bit surprised when their ringleader became insolent.

"Well," he purred, "where are you from? Hollywood?" He looked at his two buddies for support.

"As a matter of fact, I am." I put my plate on the table.

"Well, Hollywood," he snarled, "let's go outside and talk about it."

The four of us got up from the table. As I stepped outside, I tumed and swung as the first one-"Loudmouth"-came through the glass door. The solid punch took him right out. The other two didn't proceed beyond his sprawled form. I went back to the booth in time to hear one of the girls scream, "But he's out there with three of them!"

Wadsworth-6-foot-5, 240 pounds in weight-was coolly munching on a piece of ham. He sputtered out, "Son-bitch can take care of himself."

Just then, Vallee came roaring up to me. "You got in a fight!" he yelled. "Don't you know it's your duty to call on your fellow performers to help you? You've no right to keep us out of it."

Jesus, I thought. This man is serious.

Then I mumbled out loud, "Sorry, but it's all taken care of."

All the way back to our hotel, Val­lee harangued me about my lack of faith in my peers. "It's not that, Rudy," I finally said. "It's just that I've never asked for help in a fight in my life. I just don't know how."

Later, when I told Robert about the incident, he heaved a deep sigh. "No, Brother John," he said, "they just don't look at us."

***

"Guys who pick fights are a pain in the ass," roared Big Tim Wallace. A huge Brooklyn Irishman, Big Tim was Bob's stand-in and friend for many years. He was a powerful fighter and a "no-nonsense" man who could put you straight in a hurry. It was Tim who once made the relevant observation to me that al­most all men who pick fights can't fight. Really experienced fighters have nothing to prove; it's the ban­tam roosters who have to show their spurs.

One day, Bob and Tim were walking down Hollywood Boulevard when three men began heckling Bob. His hackles rising, Bob began positioning himself. Streetwise Tim saw the whole thing shaping up.

"Bob!" Tim, who is hard of hearing and feels he has to speak up, shouted

his flat, nasal voice into Bob's ear.

"I'll handle this. You gotta stay out ofit."

The ringleader stepped up to Tim, eyeing him amusedly. "Now you're

gonna take care of it. Well, supposing we've got something to say about that?"

Tim hit him so hard the idiot sailed over the hood of a parked car. He landed in a heap on the boulevard and was out. Tim took Bob by the arm, leading him toward Las Palmas. In his loud, nasal voice, he let the world in on his philosophy.

"They gotta prove somethin" They feel that they ain't nothing, so-if they can punch out Bogart, Mitchum, Cagney or the 'Duke,' they're really important." He shook his head sadly.

Bob nodded in agreement. "They see a screen image. It's too bad they never really look at us."

James Cagney, though short, was a very physical man. Brother Robert stands 6-foot-l at a cool 205. John Wayne was 6-foot-4 and about 235. His trainer once told me in awe that John threw the straightest, hardest right hand he'd ever seen. He was of the opinion that John's right would kill most men. But John's pet word was "responsibility." Responsible men are loathe to misuse others.

Bob was right again. They never look at us.

WHICH WAY IS WEST?

The three of us hitchhiked back to New York City where Brother Robert
promptly brought us to the great Grand Central Market on the lower west side of Manhattan. Hundreds of trucks were gathered there, vehicles of every description from all over the country.
Bob approached a ten-tonner loaded with cabbages that bore a Florida license. "Could we hitch a ride with you when you head back down South?" he asked.
"Where you-all headin'?" the driver asked. "Alabama," said Bob.
"Soon's we're unloaded, get aboard."
I loaded up on the sights, sounds and smells of the marketplace while
the cabbages were unloaded. Then, with my meager pack on my back, I clambered into the stake-bodied truck with Bob and Carroll Davis. Soon, we were on our way through the Hudson Tunnel to a thrilling new world.

Seeing the landmarks of Washington D.C. for the first time is still etched in my mind. The Washington Monument and the Capitol itself brought a sense of awe that I have never shaken. The truck moved steadily through the city maze, heading into Virginia. We noticed every now and then that an empty whiskey bottle was dispatched from the cab and the truck would accelerate appreciably, but I really didn't care much.

Roaring through the North Carolina mountains was heady stuff. My first sight of palmettos in South Carolina brought me an even greater excite­ment. I felt a great pang of sorrow when the truck flew by a road junction that led to Lane, the little town where my father had been bom, but which to this day I have never seen.

***

The speedy trip ended safely, in spite of our growing trepidation over those hurled bottles, on the outskirts of Jacksonville, Florida. Now the joumey to Ensley began. Our rides were slow in coming and it took a while to reach the small city of Dothan. Once again, Brother Robert's acumen and experience came to the fore.
Ravenously hungry and a little short of "the ready," we were forced to knock on doors. Bob headed resolutely for the nicest residential area. "Why," he reasoned, "should we hit up poor people who can barely manage for themselves?" His reasoning proved more than correct. It brought not just a meal but exposed me for the first time to elegance.
Bob rapped on the back gate of a mansion he had intuitively chosen. A charming, urbane Black man appeared. 'What is it you gentlemen want?" the servant asked. '
"The three of us've come a long way today, sir. We're hungry. Could you help us?" Bob was gravely dignified.
"How fortunate for you." The servant beamed at us. "The master of the house and his lady were just now called away to Birmingham on urgent business. I had just finished preparing lunch for them when I found they had to leave immediately." He disappeared into the house, reappearing in a short while bearing a large silver serving dish whose center displayed a beautifully baked fish with parsley decorations, slices of lemon and paprika. He retumed a second time with another tray regally bearing new potatoes, fresh peas, warm French bread and a set of serving plates, complete with silver cutlery. As we sat on the curb, three young waifs in soiled, tattered clothing with no money, we marvelled at the service; not only did we have magnificently prepared foods on the finest of tableware. . . the servant brought us goblets of white wine.

Many years later, I saw "0. Henry's Full House," a 20th Century-Fox quartet of vignettes based on short stories by O. Henry. "The Cop and the Anthem"featured Charles Laughton as an impoverished gentleman who, on Christmas Eve, sweeps into an elegant restaurant and orders roast duck. His dinner clothes have long passed their day of splendor and his white gloves arejull of holes, but because he wears an air of disdainjul arrogance, he is accorded afull dinner. When the check is presented, he flicks an ash from his newly lit Cuban cigar, looks balefully at the waiter and rasps, "No money."

We left Dothan blissfully content. What a thrill to find that such gentle, kind people lived in the world.

We arrived in Ensley early the next afternoon to discover that Carroll Davis' sister was a marvelous cook. We gorged ourselves on bacon, eggs and hominy grits-oh, Lord, the South shall rise again. Carroll's brother­in-law was some character: He had worked in the steel mills at Birmingham without paying his gas bill for two years. He revealed to us an elaborate underground schematic of pipes and valves he had improvised that tapped into the main line before it reached the local meters.

At the age of fourteen, I couldn't understand why he had spent so much time and energy to thwart the gas company out of what, even then, was a small amount of money. "Beat 'em! By God, I beat 'em!" he exclaimed. (Vaguely, I became aware of the strange phenomenon that mankind feels it has to "beat" somebody at something. It's a recurrent theme. I've seen it since in thousands of guises.)

Bob and I spent two idyllic days in restful Ensley, then decided to hitchhike to California. As the vaunted bard of the Scottish HigWands, Bobby Burns, once wrote, "The best laid plans of mice and men oft gang agley." They sure as hell do!

RUNAWAYS

IN THE FALL of ’27, Robert again decided to ramble. This time he included Manuel Barque and me in his plans. We were going to “run off’ to escape the oppressions put upon us by school officials and the “big folks.” “Big folks” included anyone over twenty-one.

At the farm we had three “big folks”-Bill, Gertrude and Grandmother. They were kind to us to the extreme, but we didn’t think of it that way. We hadn’t ever been exposed to the real world.

Bob had just been expelled for shooting a paper clip with alarming accuracy at the private parts of our favorite teacher, Miss Robbins. She was a vivacious, red-headed Virginia miss, and I was in love with her. She taught our class to sing ‘Welcome, sweet springtime, we greet thee with song.” She put a song in my heart until I learned that she was having an affair with the principal. I didn’t exactly know what an affair was but it broke my heart anyway. It was another good reason for me to run away.

Avoiding the highway, we walked the railroad tracks for some twenty-five miles. Night found us on the outskirts of Bridgeville, where we holed up in corn shocks that stood like Indian teepees. Cold settled down in deathly silence, broken only by field mice scurrying for corn kernels and the whoop of horned owls searching for the field mice. Dogs bayed in the distance. The mournful sound of a train whistle echoed and re-echoed across the windswept fields.

A new sound was now heard: Manuel Barque’s sobbing. Soon my wailing was added, then the intrepid Robert’s. The crying trio wended its way across the frozen field to an isolated farmhouse, dark and foreboding. Bob knocked on the back door. Soon, a kerosene lamp shone through the window panes that overlooked the back porch.

“Land sakes alive, Hiram!” A woman’s voice called out to someone in the interior of the home. "It's three younguns."

The farmer and his wife brought us into the kitchen and surveyed us with disbelief.

"We run off” Bob’s pronouncement brought a clucking sound from the woman and a more practical one from the man. “Martha, fix them some hot cocoa while I call the sheriff.” .

We were so cold, hungry and homesick, even the word “sheriff’ didn’t bring a twinge from any of us.

Manuel’s father picked us up at the sheriffs station about four in the morning. We drove the twenty-five miles in total silence.

When we arrived at the farmhouse, Uncle Bill greeted us with tears streaming down his gaunt cheeks.

“I swore on your father’s grave that youse would never go hungry, never be without a roof over your head and that youse would get an education. He stopped to blow his nose loudly. “I’ve dug wells, painted houses, plowed fields, worked wheat fields—anything to keep all of youse under one roof. And how do you repay me? You run away!”

He started crying all over again,

Aunt Gertrude quietly ordered us to our rooms. Much relieved, we crept up the stairs to bed.

Later, Grandmother came into the darkened bedroom, carrying a tiny peach tree twig. She stood looking down at us, tears webbing from her eyes. “I suppose I have to punish you,” she said. She tentatively flicked the twig at us a few times, then fled the room, sobbing uncontrollably.

Now, over a half-century later, that ‘flogging” looms in our minds as the worst we’ve ever taken. “This hurts me more than it does you” was never more clearly defined than in our sainted Grandmother’s valiant attempt to “punish” us.

***

Although our religious training was never highly organized, we were dealt subtle doses in such a manner that, to this day, God is a very real entity to me. He is not a long-bearded fellow who sits in Heaven and pronounces judgments on us like a local magistrate dealing out traffic fines. God is an eternal stream of truth that in its purity remains ever constant.

We all know that driving a car at eighty miles an hour in a fifteen-mile-­an-hour zone can only result in disaster. Ignoring truths that have existed from the beginning of time has the same dismal result. God is love. If we all really acted on that premise, crime and war wouldn’t exist.

Mankind pays lip service to the basic creed but, in reality, avoids its application like the plague.

Grandmother had given some land to the small Negro community so they might build a church. When the building was finished, it was picture-per­fect, nestled in a clearing in the woods and facing the road that Barney Jenkins often trod. It also faced out on our family’s grape vineyard.

The first harvest of the Concords was an excitement to us all. Bob, Sonny, Louise, Pat and I drifted along the long rows searching for any grapes that looked even remotely ripe. We made ourselves sick by gorging pounds of them into our stomachs.

One Monday morning, we became bedeviled with a “fun” idea.

Lilly Mae, a slender, graying and gracious lady of about fifty, was cleaning her church after the Sunday meeting. Now wouldn’t it be fun, we decided, to throw dirt clods into the area she’d already cleaned? Then we’d dart into the cool hiding places among the green vines. We did just that, feeling vaguely alarmed when the front door of the church slowly closed.

The feeling intensified the next day. Lilly Mae, dressed in her Sunday best, headed straight down the dirt road toward our farmhouse. She looked terribly dignified in her finery, adding a touch of elegance to her carriage with a parasol shading her soft brown face from the sun.

She was going to “tell”! What is more paralyzing to young minds than that dreaded word—“tell”?

Straight to Grandmother Gunderson she went. Soon that soft, Norwegian ­tinted voice drifted to our ears. “Children…”—how we dreaded that sound—“…Come into the parlor. I want to talk to you all.” The voice was soft, but the steel rod in it glinted through.

A more contrite group of waifs never existed. We slunk into the parlor, heads bowed and eyes studiously examining the floor. Grandmother, all ninety pounds of her, eyed us sternly. “Lilly Maehas something she wants to say to you. I think you’d better listen.” We looked at each other dumbly. Lilly Mae surveyed us sadly. No anger, no hostility, just a deep sadness.

“Children,” she said in her gentle Southern accent, “when you threw dirt into the church, you weren’t harming me. You were desecrating God’s house. I know it’s just a little country church, not a big cathedral or temple, but God is there just the same. He is everywhere and He is Love. So when you do things that are mean and small in His eyes, you hurt Him, not me. All I ask of you is to think about it.

“Do you really want to be mean and small?”

Personally, I’d rather have taken a beating. I could have crawled into a rat hole. When I sneaked a look at my fellow conspirators, I knew that they felt the same.

Grandmother spoke up. “Lilly Mae has invited us up to her house for lemonade and cookies. Get yourselves cleaned up.” She turned to Lilly Mae. “We’ll be there in half an hour.”

After Lilly Mae left, the scrub brush whined. Soon, spanking clean, we were ready for our visit, which proved to be an eye-opener. From its exterior appearance, the house of Lilly Mae was a shack: the porch sagged, the wood was unpainted, and it had an air of abject poverty. The interior, however, was spotless and nicely furnished. And Lilly Mae was a charming hostess. The lemonade was cool and fresh, the cookies delicious. The lesson was driven home without fanfare or bombast.

I can attest to the fact that Grandmother and Lilly Mae made it nigh unto impossible for me to be swayed by color, creed or outward appearances. To this day, Bob and I are more impressed by what a person actually does than by what he says, what he actually lives by and up to, than what he professes. Aesop was right: “Fine feathers do not make fine birds.”